大原 祐治

文学作品にはしばしば、人語を解する動物が登場する。本論文では、イエルク・シュタイナー(文)・イエルク・ミュラー(絵)[大島かおり訳]の絵本『ぼくは くまのままで いたかったのに……』、宮澤賢治の童話「なめとこ山のくま」、川上弘美の小説「神様」およびその続編「草上の昼食」を対象に、これらの文学作品が人間と動物の間の境界線を問題化する様相について、〈ことば〉と〈時間〉を鍵語としつつ考察を行った。

千葉大学「人文研究」第41号

Yoshimi Takeuchi founded'℃hUgoku bungaku kenkyitkai［a society for the study of Chinese Literature］"in l934． Taijun Takeda was one of the key persons in this society， and he was the peerless comrade of TakeuchL In contrast to Takeuchi's polemical doings， Takeda filled the role of balancer山roughout the action of the society． In this essay， I intended to make clear the relationship between Takeuchi and Takeda through strict reading discourses on their mothly bulletin． To reconsider the problem of"ChUgoku bungaku kenky血kai"， it is the most important element for us that we realize Takeuchi'sconsciousness for'journalism'and'translation'．

<歴史認識>をめぐって議論の喧しい今日、<歴史小説>というジャンルについて考察する端緒として、本論では、従来<歴史小説>という観点からは評価されることの少ない芥川龍之介のいわゆる<歴史物>の中で、異彩を放つかに見える「糸女覚え書」を取り上げた。徳富蘇峰『近世日本国民史』という、学士院恩賜賞を授与され、売れ行き好調な同時代におけるスタンダードな<国民の歴史>に対し、芥川のテクストが持つ批評性を確認する。

Ango Sakaguchi finished writing a long novel named"Fubuki monogatari（A snowstorm story）"as a newry written one in 1938． The story was obviously based on his experience of"romantic love"with Tsuseko Yada． For all that， unlike a series of his biographical short novels which he wrote later，"Fubuki monogatari"did not be wrote as a simple memoirs． He intended to bury the existence of Tsuseko through writing this novel． But， as a result， he failed in this attempt． The hero（nearly equal Ango himself）had become prisoner of"romantic love"in cotrast to the heroin based on Tsuseko did not． So， the other way from initial intention， Ango rather buried the hero（nealy equal Ango himself）and his"romantic love"idea． And in this sence， it is sure that Ango failed in writing this novel on its first intention but he also opened his new dimension of his Iiterary world through writing this long novel．